Revised November 6, 2013
National Archives to Open New David M. Rubenstein Gallery December 10, 2013
1297 Magna Carta Will Be Centerpiece of New "Records of Rights" Permanent Exhibition
Important Note: The opening of this exhibition has been rescheduled to December 10.
- NARA Public Affairs Staff
Washington, DC…On September 19, 2013 the National Archives removed the original 1297 Magna Carta from public display and is preparing it to be moved to its featured position in the new David M. Rubenstein Gallery "Records of Rights" permanent exhibition, which opens to the public on December 10, 2013 at 11 a.m. The 1297 Magna Carta—the only original on public display in the United States—is on loan to the National Archives from philanthropist David M. Rubenstein.
The National Archives Building on the National Mall will significantly expand its permanent exhibitions with the opening of its new Orientation Plaza, which opened in September, and the David M. Rubenstein Gallery on December 10. The project, which has been under construction for more than a year, has been made possible by congressional appropriations as well as a gift of $13.5 million from David M. Rubenstein to the Foundation for the National Archives, the National Archives' private partner.
The press preview for the David M. Rubenstein Gallery "Records of Rights" permanent exhibition will be held on December 10, 2013, from 9:30 a.m. to 11 a.m. Remarks will begin at 10 a.m. RSVP requested: firstname.lastname@example.org.
The David M. Rubenstein Gallery provides new context for the Charters of Freedom—the Declaration of Independence, the Constitution of the United States, and the Bill of Rights—on view in the National Archives Rotunda. The new exhibition begins with Rubenstein's 1297 Magna Carta and traces the evolution of rights in the United States from our country’s founding through the present day.
"Records of Rights" will use original documents, photographs, facsimiles, videos, and interactive exhibits to explore how Americans have worked to realize the ideals of freedom enshrined in our nation’s founding documents, and how they debated issues such as citizenship, free speech, voting rights, and equal opportunity. Exploring many stories—and showcasing the drive for civil rights for African Americans, women, and immigrants—the new exhibition chronicles the past and current generations whose efforts to secure equality under the law have shaped the country we live in today.
"Behind each record in the David M. Rubenstein Gallery—whether the 15th Amendment, which granted African American men the right to vote, or the Lily Ledbetter Equal Pay Act, which ensures equal pay for women—are countless stories of courage, resilience, and the belief in a better future," said Archivist of the United States David S. Ferriero. "I want to thank David Rubenstein for his tremendous generosity that is enabling the National Archives to strengthen our role as one of the great destinations of Washington, DC, and to deepen our ability to share with everyone the legacy of the American people’s fight for freedom."
"As Americans, we embrace the rights and freedoms guaranteed by our founding documents, while striving to ensure that these rights apply to all and are meaningful in the present," said David M. Rubenstein. "I’m honored that this new gallery will help the National Archives showcase its incredible collection of records that tell the story of who we are as a people, where we’ve been, and where we are going."
The Orientation Plaza serves as a gathering place and a new entry point into the National Archives. The new space provides orientation and access to the Rubenstein Gallery, the public exhibitions on the second floor—including the Rotunda, the Public Vaults, and the Lawrence F. O’Brien Gallery—as well as to the Boeing Learning Center and the William G. McGowan Theater. On the ceiling of the Orientation Plaza is a trompe l’oeil painting of the Archives Rotunda, giving the illusion of looking directly up into the room that holds the Charters of Freedom. Beginning in December, the Orientation Plaza will also feature a short film on eight video screens that tells the story of the National Archives’ mission, collection, locations, and activities. Two video orientation walls will serve as a directory, highlighting the visitor destinations within the National Archives, and touchscreen mapping stations will help guide visitors.
New Exhibit Details
Setting the stage at the entrance of the "Records of Rights" exhibition in the David M. Rubenstein Gallery is the 1297 Magna Carta, the first English charter to directly challenge the monarchy’s authority. This foundational document served as a precedent for the concept of freedom under law, envisioned by the Founding Fathers, and set in motion the process of defining civil liberties for all Americans. In the center of the Rubenstein Gallery will be a 17-foot-long computer touch-screen interactive table showcasing more than 300 National Archives documents on subjects such as workplace rights, First Amendment rights, equal rights, and Native American rights. The interactive table allows visitors to explore issues and share documents beyond those covered by the three theme areas in a dynamic, motion-activated display. Through a complementary website, the public can also access the database from their home computers and experience the exhibition beyond the gallery walls.
Displays surrounding the interactive table in the "Records of Rights" exhibition highlight documents related to the civil rights struggles of African Americans, women, and immigrants. The exhibit area for each theme contains original documents that give personal glimpses into these struggles, and facsimiles of milestone documents as well as photographs, drawings, and videos from the National Archives.
Bending Towards Justice examines how our nation and individual citizens struggled to reconcile the conflict between the promise of freedom and the realities of slavery and racism. Exhibits illustrate the personal experiences of African Americans from the early days of our republic, to emancipation, the Jim Crow era, and life in modern-day America. On view are the original discharge papers of a slave who fought in the Revolutionary War in order to gain his freedom, and letters to the President from children who questioned the morality of segregation. The exhibits look at the 100-year struggle from the adoption of the 15th Amendment, which granted the right to vote to African American men, to the Voting Rights Act of 1965, which finally enabled the exercise of that basic right.
Remembering the Ladies chronicles women’s efforts to gain the full rights of citizens and achieve economic self-determination. Original petitions for—and against—granting the right for women to vote complement lesser-known facets of our nation’s history. "Repatriation oaths" reveal that, during the early 20th century, women derived their citizenship from their husbands, and marrying a man who wasn’t a citizen meant the loss of their rights as Americans. Only when they divorced or became widows were these women allowed to “repatriate” and become Americans again. Even as late as the 1970s, women had difficulties obtaining mortgages and credit on their own. This section of the exhibition also explores the failure of the Equal Rights Amendment and the success of Title IX, which ensured equal opportunities in education for women.
Yearning to Breathe Free explores the notion of America as a nation of immigrants and the enduring debates on the rights of newcomers. Included in this section is the original 1860 census of Irish and Canadian textile workers in Lowell, Massachusetts, who, like many immigrants, faced discrimination and poor working conditions. Also featured are the original immigrant case files of Wong Kim Arc, a San Franciscan and American citizen denied reentry to the United States because of his race after traveling to China in 1873. These original records are supplemented by facsimiles of the 1882 Chinese Exclusion Act and 1884 Statue of Liberty Deed of Gift, which symbolize the Federal Government’s contradictory attempts to both grant and limit the rights of immigrants.
About the Museum at the National Archives
The National Archives museum includes the Rotunda for the Charters of Freedom, the award-winning Public Vaults permanent interactive exhibition, the William G. McGowan Theater, the Lawrence F. O’Brien Gallery for special exhibits, the Boeing Learning Center, the Digital Vaults online exhibit, and DocsTeach, a web based educational resource—as well as the new Orientation Center and David M. Rubenstein Gallery.
The National Archives museum was created by the National Archives and Records Administration in partnership with the Foundation for the National Archives, and has transformed the visitor experience at the Archives’ Washington, DC, building. These exhibitions and initiatives make the rich resources of the National Archives accessible to Americans nationwide.
About the National Archives
The National Archives and Records Administration is an independent federal agency that preserves and shares with the public records that trace the story of our nation, government, and the American people. From the Declaration of Independence to accounts of ordinary Americans, the holdings of the National Archives directly touch the lives of millions of people. The National Archives carries out its mission through a nationwide network of archives, records centers, and Presidential libraries, as well as at www.archives.gov.
About the Foundation for the National Archives
The Foundation for the National Archives is an independent nonprofit organization that serves as the National Archives’ private-sector partner in the ongoing support of the National Archives’ public exhibitions and programs. The Foundation helps the public understand the importance of the holdings of the National Archives, and generates financial and creative support for the Archives from individuals, foundations, and corporations who share a belief in the importance of innovative education about our nation’s records and history.
About David M. Rubenstein
A native of Baltimore, David M. Rubenstein is co-CEO and managing director of The Carlyle Group, a global alternative asset manager. In addition to his loan of an original 1297 Magna Carta to the National Archives, he has lent a signed copy of the Emancipation Proclamation to the Oval Office, rare copies of the Declaration of Independence to the State Department and the National Archives, and the first official map of the United States published after the Revolution to the Library of Congress.
A magna cum laude graduate of Duke, Rubenstein graduated in 1973 from The University of Chicago Law School, where he was an editor of the Law Review. After practicing law in New York, he served from 1975 to 1976 as Chief Counsel to the U.S. Senate Judiciary Committee’s Subcommittee on Constitutional Amendments. From 1977 to 1981, during the Carter administration, Rubenstein was Deputy Assistant to the President for Domestic Policy. After his White House service, he practiced law at a private firm in Washington, and then co-founded The Carlyle Group in 1987.
In addition to his work with the National Archives, Rubenstein is chairman of the John F. Kennedy Center for the Performing Arts, a regent of the Smithsonian Institution and on the Board of Directors or Trustees of Duke University, Johns Hopkins University, University of Chicago, the Lincoln Center for the Performing Arts, the Memorial Sloan-Kettering Cancer Center, Johns Hopkins Medicine, the Council on Foreign Relations, the Institute for Advanced Study, the Smithsonian’s National Museum of American History, the Center for Strategic and International Studies, the American Academy in Berlin, and Ford’s Theater.
# # #
For media inquiries, please contact the National Archives Public Affairs Staff at: 202-357-5300.